top of page
"Reputation, Reputation, Reputation..." -William Shakespeare

 

Babes with Blades Theatre Co.'s The Lady Demands Satisfaction Reviews:

"Felipe Carrasco's (Osric) physical comedy is outstanding. It was like watching a Logan-square sad boi at a poetry open mic, who was learning how to walk, while also maybe being on a psychedelic drug. So many power lunges, so little time."

-Hooligan Mag Chicago

Teatro Vista's The Madres Reviews:

"As a government solider Diego, Felipe Carrasco positively makes the skin crawl with his line delivery and his transformation as a fierce abuser of his power." -Broadway World Review 

16th Street Theater's Harbur Gate Reviews:

"Stephanie Shum and Felipe Carrasco are especially strong as a mismatched, but still functional team: he's a traditional jarhead who doesn't believe women have a place in the marines; she's a marine who does." -Chicago Reader

"However, the play hits its stride in the flashback to Moss's convoy trip with Russo (Felipe Carrasco), a brash twenty-one-year-old- with responsibilities far beyond his maturity. Both actors are magnificent in this scene, she repressed and suspicious, he chauvinistic and rebellious." -Picture This Post

Riverside Theatre's Bomb-Itty Of Errors Reviews:

"But it is Carrasco...who is the breakout star of this tight crew." "...Carrasco is omnipresent, running through the set's simple four-door setup to emerge as a new character only seconds later." "...His Luciana is an absolute joy...He plays the character with the crossed-dressed dedication of a Kids in the Hall cast member, offering a warmth and depth to what could easily be a one-note dumb blonde stereotype." -Little Village Magazine

Tympanic Theatre Co.'s Waiting for Godot Reviews

"The production is not without fresh takes particularly from Felipe Carrasco, whose Estragon promises good things ahead for the young actor." -NewCity Chicago,  Waiting for Godot, Tympanic Theatre

Filament Theatre's Pinocchio: A Folk Muiscal Review:

"Felipe Carrasco plays Geppetto with warmth and humanity. He also charms on his guitar accompaniment, as well." - Chicago Theatre Review

Dreamwell Theater's The Whipping Man Reveiws:

"Masterful moments of work were offered by Felipe Carrasco..." -Iowa Theatre Blog,

"Carrasco's journey as Caleb was such a clear and solid study in character development that I hated him at the top and loved him in the end." - Iowa Theatre Blog

Riverside Theatre's Cyrano Reviews: 

"Carrasco as Le Bret / Musician provides a skilled narrator and sidekick. His timing is right on and he’s incredibly likable." -Iowa Theatre Blog

bottom of page